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A retired but far from retiring actress has brought a besotted young sport sman Sandy down from London. Judith’s novelist husband David meanwhile, has invited the clueless-seeming Jackie to the house for “research purposes”.
Daughter Sorel has invited an older man, the “diplomatist” Richard to stay, while sibling Simon currently affecting an unwashed artist persona, is expecting the vampy Myra .
Over three acts, we observe each guest fall victim to the Bliss’s haphazard hospitality and ardent self-regard.
On one level, Hay Fever is a skimpily plotted situation comedy. Play it as such and there are easy laughs to be had. But glittering shallows will only sustain interest for so long. To make the play really sing, the uneasy laughter has to be found, too, and Imara Savage’s handsome production for the Sydney Theatre Company, locates much of that buried material. It will find the rest as the cast relaxes and allows more of the underlying tensions and awkwardness to the surface.
A retired but far from retiring actress has brought a besotted young sport sman Sandy down from London. Judith’s novelist husband David meanwhile, has invited the clueless-seeming Jackie to the house for “research purposes”.
Daughter Sorel has invited an older man, the “diplomatist” Richard to stay, while sibling Simon currently affecting an unwashed artist persona, is expecting the vampy Myra .
Over three acts, we observe each guest fall victim to the Bliss’s haphazard hospitality and ardent self-regard.
On one level, Hay Fever is a skimpily plotted situation comedy. Play it as such and there are easy laughs to be had. But glittering shallows will only sustain interest for so long. To make the play really sing, the uneasy laughter has to be found, too, and Imara Savage’s handsome production for the Sydney Theatre Company, locates much of that buried material. It will find the rest as the cast relaxes and allows more of the underlying tensions and awkwardness to the surface.
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